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AUGUST 2008
DR. SEUSS Exhibit Showroom Hours Wed. - Thurs. - Fri. 10:30 - 5 Saturday 10:30 - 4 Other times visit by appointment
WEB inquiries or to ORDER call 1-800-627-8223 or e-mail us |
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As the Twentieth Century dawned entertainment was delivered to Americans via the printed page. Newspapers provided immediate coverage; magazines offered more esoteric materials for the upscale reader. Many small magazines were born and usually failed.
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The Saturday Evening Post was one exception. Cyrus Curtis purchased the failing publication and revitalized it into Americas favorite weekly magazine. One key addition to the new mix was artwork to entertain readers. Illustrations for stories inside were added mimicking those in other publications. Most notably, a new feature the addition of an artists illustration on the cover became the trademark of the Post for more than a half-century.
The typical Post cover space became a showcase for Americas greatest illustrators those chosen because of their past accomplishments and those who achieved their reputation from their Post work. The artwork of Harrison Fisher, Guernsey Moore, J.C. Leyendecker, Edward Penfield, and N.C. Wyeth, to name a few, adorned early Post covers.
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| This artwork was so successful in selling magazines, the publisher even permitted illustrators in the name of design to block out part of the magazines nameplate with their drawings. The holiday cover became a memorable Post tradition New Years Day, Valentines Day, Easter, July Fourth, Thanksgiving, and, of course, Christmas. |
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By 1916 a budding illustrator, Norman Rockwell, began having his paintings on Post covers. Rockwells work was so popular with readers that in 1926 the honor of the first full-color cover (the colonial sign painter) was awarded to this young New England artist. Rockwells on-going theme was Americana and all that was good. Covers featuring youth told a story striving for a dream, companionship with a faithful pet, serving others (Boy Scout series). Everyday life, going to and coming home from war, family values, and memories of the past (often of Victorian whimsy) were only a small part of the Rockwell artistic arsenal. |
In February 1925 a new kind of magazine was born – The New Yorker. The idea was to celebrate urban life in New York City during the Jazz Age by publishing the best of contemporary literature and art. Rea Irvin was hired to oversee the artistic content. Early cover images resembled bold Art Deco posters, but over the years evolved into more detailed storytelling images.
The magazine’s first cover done by Irvin himself of Eustace Tilley raising his monocle to examine a butterfly was re-published every February until 1994. More importantly for art lovers, Irvin assembled a stable of artists who consistently painted memorable imagery.
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This register grew to include Peter Arno, Constantin Alajalov, Dorothy Parker, Charles Addams, William Steig, Arthur Getz, Edward Sorel, Art Spiegelman, to mention a few.
Today most New Yorker covers are available for purchase as giclee reproductions on canvas and can be ordered through The Art-cade by special date, artist, or particular image. These striking images uniquely commemorate a special occasion or can be displayed as a beautiful piece of artwork.
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Website ©2008 Kings Court Communications, Inc.
All displayed artwork © by artist and/or publisher
and is for illustration and promotion purposes only.
All rights reserved. None may be used, in whole or
in part, for any other purpose. "Webportfolio" and the
portfolio icon are service marks of The Art-cade Gallery.
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