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SEPTEMBER 2010
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WEB INQUIRIES
and ORDERS call
1-800-627-8223
or e-mail us


Williamsburg
SHOWROOM HOURS
Open

Thursday 11:00 - 5
Friday 11:00 - 5
Saturday 11:00 - 3

AND
Tues. and Wed.
by Appointment

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(757) 565-7424
1-800-627-8223


 Dr. Seuss Fine Art Collection
 Greenwich Workshop Prints
 Disney Fine Art Prints
 Mill Pond Press Prints
 Richard Masloski Bronzes
 Sat. Evening Post Covers
 Vintage Historic Posters
 Mystic Seaport Artwork
 Linda (Chuck) Jones Ent.
 Harry Potter Limited Editions
 Bethany Lowe Plushes
 Tom Everhart (Snoopy)
 Mark Hopkins Bronzes
 
  Williamsburg, Virginia
Home of the Art-cade Gallery


Our Williamsburg area was named the 2010 “Best Family Destination” by the Budget Travel Readers Choice poll. Visit the “Historic Triangle” and stop to see the gallery too!

If you’re coming to town, may we suggest two planning sources:

Monthly Visitors’ Guide
Lodging


  Free Shipping on many pieces - Limited time offer  
 Showcasing:
 ILLUSTRATION ART
      Illustration Art Webportfolio
 COMIC CARTOONS
      Comic Cartoons Webportfolio
 SPORTS CARTOONS
      Sports Cartoons Webportfolio
 POLITICAL CARTOONS
      Political Cartoons Webportfolio
Storytelling at its best
The political cartoonist distills complicated worldly events into a serious – or sometimes humorous – panel drawing which in one brief glance helps a reader better understand the situation. Political cartoons can be so potent, in fact, that a century-plus ago the powerful political boss of New York City (Boss Tweed) ordered his cronies to “stop them damn pictures!” He knew the immigrant population could not read well, but they could easily figure out what was going on from seeing cartoons.
The political cartoonist involved was Thomas Nast whose artwork in “Harper’s Weekly” satirized society and pompous politicians for a generation. (The relentlessness of Nast’s cartoon campaign ultimately sent Tweed to prison.) From the first political cartoon to appear in a colonial newspaper drawn by Benjamin Franklin in 1754 (a severed serpent – the nation – needing to “Join, or Die”) to contemporary cartoons by Pat Oliphant, Jim Borgman, and Herblock, editorial cartoonists still offer an insight to readers that continually reinforces the maxim “a picture is worth a thousand words” day after day.
Symbolism is the shorthand in the political cartoonist’s arsenal. The Republican elephant and Democratic donkey (both attributed to Nast), Uncle Sam and the Bald Eagle, John Q. Public, Mr. Atom (bomb), among others, are the language used by the cartoonist on his storyboard. Contemporary cartoons tend to hit their mark more often than not using humor rather than the traditional jugular approach, but nonetheless, both kinds of cartoons have a common – and often successful – effect.

Original political cartoons are more rare than comic cartoons. Many editorial cartoonists reserve a career’s output of originals for a museum or university (the entire collection of Hugh Haynie – “Louisville Courier-Journal” – rests at his alma mater, The College of William and Mary here in Williamsburg). However, some originals of most cartoonists do find their way to public ownership. The Art-cade offers a unique selection of original political cartoons, each capturing a moment of history while being a work of art.

   



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